A Text-Book of the History of Painting
by John C. Van Dyke
Publisher: Longmans, Green and Co 1904
Number of pages: 322
This textbook provides concise teachable history of painting for class-room use in schools and colleges. In treating of individual painters it has been thought best to give a short critical estimate of the man and his rank among the painters of his time rather than the detailed facts of his life.
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by Nanae Momiyama - Japan Society
Sumi-e, or ink and brush painting, must be discussed in terms of the religion and philosophy it expresses. Sumi-e was the art of Zen priests, it is thus an expression of Zen Buddhism, a religion of selfdiscipline, concentration, and contemplation.
by George B. Bridgman - Pelham, N.Y.
Learn how to draw the human figure with the practical and effective method made famous by a leading art instructor. Bridgman simplifies complex anatomy problems into simple structures before exploring the muscle patterns into more complex detail.
by Thomas M. Messer - Solomon Guggenheim Foundation
Messer dissects the elements of modern painting for an uninformed audience by describing basic tenants of modern painting. The intended audience consists of museum visitors who find themselves unprepared for the new language of contemporary art.
by S. L. Bensusan - T.C. & E.C. Jack
Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods would exercise a profound influence on future generations of Western art.